For most artists printing at home, the Epson EcoTank Photo ET-8550 is the best wide format printer for art prints you can buy right now. It handles 13×19 sheets, costs far less per print than any cartridge machine, and ships with a flatbed scanner. If your work needs to survive a decade on a gallery wall, step up to the Canon imagePROGRAF PRO-310, the only unit here built around a nine-channel pigment system.
That is the short version. The longer version is that “wide format printer” covers everything from a 13×19 desktop unit that sits on a shelf to a 24-inch roll plotter on a stand in a spare room, and the machines in between differ mostly in ink chemistry and paper handling. Get the ink wrong and your limited edition fades in three years. Get the paper path wrong and you waste a sheet of expensive rag paper on every jam.
We spent October 2026 comparing seven current models across ink type, ink color count, maximum borderless size, resolution, paper thickness, connectivity and running cost per print. Seven is fewer than the ten we set out to test, and we would rather name seven machines we can describe accurately than pad the list with plotters built for blueprints. Every specification below comes from manufacturer data and owner review patterns, and we flag where the field data is thin.
Table of Contents
What Is a Wide Format Printer for Art Prints?
A wide format printer for art prints is an inkjet that outputs paper wider than 11×17 inches, most commonly 13×19 inch sheets known as Super B or A3+. For art, pigment-based ink matters most, because dye ink fades under light within a few years. Desktop 13×19 models suit home studios, while 24-inch roll-fed machines handle gallery, exhibition and poster work.
That is the whole definition, and the ink sentence inside it is the part that decides your purchase. Everything else on the spec sheet is a preference.
Here is how the size classes line up, because this is where most buyers overpay for hardware they will never use:
11×17 (tabloid, A3) sits inside the footprint of a letter sheet rotated. A handful of units stop here, which is a serious limit for anyone framing work. The Epson EcoTank ET-15000 in this list has an 11×17 maximum media size, and owners confirm it accepts 13×19 sheets when the correct paper size is set, though the manual feed path is what makes that reliable.
13×19 (Super B, A3+) is the practical standard for art prints. It is the largest sheet you can frame in a normal gallery frame, it fits most desktop plotters and cutting mats, and it is the sweet spot for editioned prints. Five of the seven machines here reach this size.
24-inch roll opens up 24×36 poster work, panoramas and banner material. The HP DesignJet T210 is the only unit in this lineup that takes true 24-inch roll media, and it comes with an automatic horizontal cutter so you are not scoring rolls with a blade. It also uses four inks at 2400 x 1200 dpi, which is a real trade against the eight- and nine-color photo machines.
If you are upgrading from a phone and a home inkjet, print one test sheet before you commit. Place it at arm’s length, then walk six feet away. If the print holds up at the far distance, you do not need a bigger machine. If you can see banding in skies or skin tones at arm’s length, buy up in ink color count, not in inches.
Top 3 Best Wide Format Printers for Art Prints in 2026
Epson EcoTank Photo ET-8550
- 13x19 max media
- 6-color Claria ET Premium dye tanks
- Flatbed scanner
- Up to 6200 color pages
Epson EcoTank ET-15000
- 11x17 max media
- 4800 x 2400 dpi
- 250-sheet capacity
- Auto duplex and document feeder
Epson Workforce WF-7710
- 13x19 borderless output
- PrecisionCore engine
- 250-sheet tray
- Print scan copy and fax
Quick Comparison Wide Format Printers for Art Prints in October
All seven machines, side by side, with the specs that actually change the print.
| Product | Specifications | Action |
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| Epson EcoTank Photo ET-8550 |
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| Epson EcoTank ET-15000 |
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| Epson Workforce WF-7710 |
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 Canon PIXMA PRO-200S |
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 Canon imagePROGRAF PRO-310 |
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 Canon PIXMA PRO-100 |
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 HP DesignJet T210 |
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1. Epson EcoTank Photo ET-8550 – Best Overall 13×19 All-in-One
Epson EcoTank Photo ET-8550 Wireless Wide-Format All-in-One Tank Printer
- Lowest ink cost per print in the lineup
- Built-in flatbed scanner and copier
- Transparent tanks show ink level at a glance
- Motorized output tray handles 13x19
- Quiet and solidly built
- Auto tray and media selection unreliable
- Finicky rear manual feeder throws paper-not-found errors
- Dye ink is not archival or waterproof
The ET-8550 is the machine we recommend most often, and the reason is arithmetic rather than glamour. Epson ships it with up to 6,200 color pages of ink in the box, and a full tank set covers thousands of 13×19 sheets. Once that supply is exhausted, high-yield bottles replace cartridges at a fraction of the per-page cost, which is the number that decides whether printing an edition of fifty is viable or impossible.
In practice the six-color Claria ET Premium dye system produces good results on glossy and luster photo papers. Owners printing for art and serious photography use it with Moab, Red River, Epson and Hahnemuhle stocks without complaint about color accuracy. The 4.0-star average across more than 2,600 reviews is stable rather than ecstatic, and that tells you what to expect: reliable output, not reference-grade color.
The build quality surprises people who assume a plastic tank machine will feel disposable. At 24.5 pounds it is heavy enough that the carriage travel stays steady, and the color LCD touch panel means you can check ink levels and job status without waking a computer. The dedicated 4×6 photo tray and the motorized output tray are small touches that add up over a long session of printing.
The scanner is not filler. A 48-bit flatbed lets you scan at high bit depth, which matters when you are preparing archival copies of originals or digitizing a sketchbook. It will not scan an 11×17 original in one pass, which is the honest limit, and owners of older units upgrading from a small-format EcoTank have been disappointed by that specific constraint.
Where the ET-8550 earns its slot
If you print regularly enough that cartridge economics bother you, this is the pick. Artists producing monthly print drops, photographers selling small editions, and anyone printing 13×19 on a schedule all benefit from the tank system. The flatbed also removes the need to buy a separate scanner for archival work, which is real money back.
It is also the safest choice for a first wide format machine, because nothing about it is exotic. Wi-Fi and USB cover connectivity, the touchscreen handles routine jobs, and the paper paths are ones you will learn in ten minutes.
Where the ET-8550 falls short
The ink is dye. That is the headline limitation for anyone selling work, and no amount of tank refilling changes it. A dye print displayed in a lit room will lose saturation faster than a pigment print, and it will bleed or smear if it gets wet. If permanence matters to your buyers, this is the wrong machine, however good the economics look.
Paper handling is the practical headache. Automatic tray and media selection is unreliable, so many owners set the paper manually, and the rear manual feeder throws repeated paper-not-found errors. There is also a recurring report of ink drop spotting that needs deep clean cycles. The 19 percent one-star share is high for a 4.0-rated machine, and a long tail of those reviews covers defective hardware, warranty friction on third-party purchases, and hard-to-reach phone support.
2. Epson EcoTank ET-15000 – Best Value Wide-Format Workhorse
- Best page economics of any unit in the lineup
- Auto duplex plus document feeder
- Handles 13x19 when set correctly
- Compact and light for the class
- Ethernet and Wi-Fi for office networks
- No dedicated 11x17 tray
- Manual duplex above 8.5 x 11
- Four-color set limits tonal range
This is the printer you buy when your studio also does invoices, packing slips and a lot of black-and-white proofing. The 17 ppm black speed and 33,000-page monthly duty cycle put it in office territory, and the auto document feeder makes batch scanning painless. At 4.2 stars from more than 2,500 reviews, it is also one of the more consistently rated machines here.
Owners use it for black-and-white documents, stickers, cardstock, canvas and even sublimation conversion, and report dramatically lower running cost than cartridge equivalents. The double-capacity black tank is sized for exactly the sort of heavy monochrome workflow that a small print shop runs through daily. Photo capability is described as credible but a tier below a six-color machine, and reviewers who care about image quality recommend the ET-8550 instead.
What makes this a strong value pick is the combination of the tank system with office features. Ethernet matters more than it used to in a studio, since a hard-wired network is far more reliable than Wi-Fi when you are pushing large image files from a desktop. Touch control and Android support are minor, but the ability to recover the printer from its own panel when the computer refuses to hand over a job saves more time than that.
Color output is strong and saturated on photos and canvas according to owner reports, which surprises people who assume a four-color engine cannot handle artwork. What you give up is tonal range in gradients and skin tones, and that is a real limitation for smooth digital illustration rather than a technicality.
Who should pick the ET-15000
Pick this if your art practice pays the bills through print sales and you also print the paperwork behind them. The duplex and document feeder combination is rare at this size, and the ink economics mean the machine pays for itself on running cost alone at moderate volume. Owners converting to it from cartridge machines report a dramatic change in their monthly spend.
It is also the right answer for someone who wants one machine for a small studio rather than a dedicated art printer plus an office printer.
Where it stops being the right choice
There is no dedicated 11×17 tray, so wide sheets have to go in the rear paper holder, and manual duplex is required for anything above 8.5 x 11. Those are exactly the paper paths that cause frustration on a busy day. If you need one-button duplex on wide media, the WF-7710 does it automatically.
Beyond ergonomics, the four-color ink set is the limiting factor for fine art. Layering light inks to fake additional colors produces texture in skies and gradients at close inspection. A meaningful minority of one-star reviews also describe units that arrived with a failed ink-priming system, plus recurring themes of poor phone support and region-locked warranty registration outside the US.
3. Epson Workforce WF-7710 – Best Borderless 13×19 Office Machine
- True print scan copy and fax in one body
- 250-sheet tray plus auto duplex
- Fast for an inkjet of this class
- Ethernet and Wi-Fi Direct for wired offices
- Cartridge ink cost far higher per page
- Only four ink colors
- Heavy at 40.8 lb and 32.2 inches wide
The WF-7710 is the most consistently rated machine in this lineup. A 4.3 average with 73 percent five-star and only 10 percent one-star reflects a mature, long-running design rather than a new release, and that consistency is the reason it appears here. It is not the finest art printer in the list, but it is very hard to find a fault in it.
PrecisionCore drives genuine borderless output up to 13×19, which solves the white-edge problem that frustrates people on cheaper wide format machines. The 250-sheet main tray doubles as a photo paper feed for up to 20 sheets, automatic duplex runs at 8.7 ppm black and 6 ppm color ISO, and the flatbed scanner plus fax cover the office side of the job. Voice printing through Amazon Alexa is an odd feature, but a real convenience once configured.
For an artist who also handles client paperwork, having one device do everything removes a decision. You print a borderless 13×19 proof in the morning, scan flats in the afternoon, and fax a signed contract, all without a second machine on the desk. The width means you need a genuine table for it, since the body is 32.2 inches across and 40.8 pounds heavy, and that footprint is worth measuring before you commit.
The review profile for this ASIN is mostly numbers rather than written commentary, and the distribution is the story: a large, stable base of satisfied owners with very little middle ground.
When the WF-7710 makes sense
Choose it when print, scan, copy and fax must all happen at 13×19 or close to it, and when a large paper tray matters more than ink chemistry. The borderless capability is the feature that keeps art printers in the conversation, and the auto duplex at wide sizes is something no EcoTank in this list matches.
It also suits a workspace on a wired network, since Ethernet alongside Wi-Fi 802.11n and Wi-Fi Direct covers most office setups.
What it costs you to ignore
DURABrite Ultra cartridges are expensive per page, and this is the one machine here where ink will dominate your running cost over time. Four ink colors also mean limited tonal range compared with the eight-color Canon models. Epson restricts warranty coverage to genuine cartridges, so third-party ink is a risk rather than a saving.
The flatbed will not handle wide originals, and buyers note this machine is not Prime-eligible, which makes purchasing less flexible. For a high-volume art-only workflow, the tank models above are the more sensible buys.
4. Canon PIXMA PRO-200S – Best 8-Color Dye Ink for Canvas
Canon PIXMA PRO-200S Professional 13″ Wireless Inkjet Photo Printer, 3″ Color LCD, 8-Color Dye Ink, Black
- Eight inks give smooth gradients and skin tones
- Borderless from 3.5x3.5 up to 13x19
- Fast at 90 seconds for a bordered A3+ sheet
- Custom media up to 13x39 inches
- Color LCD shows ink levels without a computer
- Dye ink is not archival
- Print-only with no scanner
- Cartridge running cost
The PRO-200S is the newest Canon in this lineup and the one to pick if your art is illustration-heavy. Eight dye inks produce noticeably smoother gradients and more convincing skin tones than a four-color engine, and that difference shows up immediately in flat-color digital art with large areas of tone. Forum long-timers consistently name the PIXMA PRO-200 family as a strong 13×19 performer at a reasonable outlay.
Speed is a genuine advantage. A bordered A3+ sheet takes about 90 seconds and a bordered 8×10 takes 53, which makes test prints and editioning fast. Borderless output runs from 3.5×3.5 inches all the way to 13×19, and with the optional roll feed you can push custom media up to 13×39 inches for panoramas. The 3.0-inch color LCD handles ink level and job checks without a computer.
It is also a sensible partner for canvas work, which is why it earns that badge. The wide rear feed path and the manual duplex-through-sheets option give you room to work with heavier canvas than a photo tray allows, and the wide range of supported borderless sizes lets you print a matched set of small and large pieces in one session. Wi-Fi, USB and Ethernet cover connectivity, and it carries an Energy Star rating.
Be aware of the evidence base. At 235 reviews this is one of the smaller review pools here, so long-term field data is thinner than the Epson models, and the 12 percent one-star share tracks typical first-generation teething problems on a new inkjet platform.
Who this printer suits
Illustrators working in digital painting, character design and any workflow with large smooth gradients should look here first. The eight-ink set is the whole reason, and no amount of ink tank refilling substitutes for extra channels when you are judging a print at arm’s length.
It also suits anyone producing mixed-size editions, because borderless output down to 3.5×3.5 inches and custom media up to 13×39 inches cover a very wide range of formats from one device.
Where the PRO-200S falls down
Dye ink, again. It is not archival, it fades under light exposure, and it reacts to water. For editions you intend to sell and for anything framed in direct light, that is disqualifying no matter how good the gradients look on day one.
There is no scanner or copier, duplex is simplex only, and cartridge-based ink costs more per page than the tank machines. If you are scanning originals or need an all-in-one, the Canon PIXMA PRO-100 or an Epson EcoTank covers that.
5. Canon imagePROGRAF PRO-310 – Best Pigment Ink for Archival Art Prints
Canon imagePROGRAF PRO-310 Professional 13″ Wireless Inkjet Photo Printer, 3″ Color LCD, 9 Color Pigment Ink, Black
- Widest color gamut and best archival durability here
- Matte Black adds real density
- Anti-Clogging System cuts maintenance
- Skew Correction keeps long sheets straight
- Media up to 13x129 inches
- Cartridge pigment ink is costly
- Chroma Optimizer adds expense
- Print-only with no scanner
This is the pigment printer to buy, full stop, if your work is going on a wall for a long time. Nine LUCIA PRO II pigment inks plus Chroma Optimizer give it the widest color gamut and the best fade resistance in this lineup, and the separate Matte Black ink expands the dark area reproduction range so blacks read as black rather than dark gray. That is the single most visible difference between a pigment print and a dye print under normal room light.
Chroma Optimizer is the ink most buyers have never heard of. It is a clear coating that evens out gloss across the whole sheet, which is why a pigment print does not show the reflective hotspots that make dye prints look cheap. LUCIA PRO II also adds scratch resistance to the finished surface, which matters for prints that ship to customers.
The maintenance story is arguably as important as the ink story. The Anti-Clogging System and Skew Correction are exactly the two failure modes that frustrate artists with pigment machines: heads gumming during a humid summer, and long sheets drifting out of alignment. Skew Correction keeps a 13×129 inch panorama straight without manual adjustment, and at 4.3 stars with 73 percent five-star and only 2 percent three-star, the sentiment is polarized in the best possible way, with very few neutral opinions.
One thing to weigh honestly is resolution. The listed maximum is 1200 x 1200 dpi, which is lower on paper than the 4800 x 2400 figures on the dye machines. In practice pigment output looks smooth because of the ink chemistry, but if you habitually print at the largest possible driver settings, know that the number is genuinely lower here.
Why the PRO-310 is the right buy
If you sell limited editions, exhibit, or hand prints to clients who ask about permanence, pigment is the answer. Print longevity under proper display and storage is the reason to accept the cartridge cost, and Matte Black plus Chroma Optimizer is the reason to accept it here rather than on a cheaper pigment machine.
It is also the right machine for long panoramas and installation pieces, with custom media support up to 13×129 inches, the longest in this roundup. Wi-Fi, USB and Ethernet cover connectivity, and the 3.0-inch color LCD keeps ink checks simple.
What to accept if you buy it
Running cost is the counterweight. Cartridge pigment ink is expensive, Chroma Optimizer is an added line item on top of the nine colors, and the anti-clogging cycles that keep the heads clean still consume ink and time. The printer is also simplex only with no scanner, so scanning originals means buying a flatbed separately.
Field history is short at 106 reviews, the smallest pool in the lineup, so long-term reliability data is limited. Judge it on the spec stack, which is correct for archival art prints, and on the fact that the rating profile is strong for a new model.
6. Canon PIXMA PRO-100 – Best for Black-and-White Printing
- Three dedicated grayscale inks give the best monochrome neutrality here
- Optimum Image Generating System picks optimal ink placement
- Individual CLI-42 tanks replace only what ran out
- 150-sheet capacity across two trays
- Flatbed scanner included
- Dye ink fades with light exposure
- Oldest platform here with dated software
- Manual duplex only
Three dedicated grayscale inks is the reason this machine is still worth considering, and no newer model in this list matches it. Drawing with three separate black inks instead of simulating neutral gray from cyan, magenta and yellow removes the color cast that makes printed grayscale look slightly warm or slightly green. For pencil work, ink sketches and monochrome illustration, that difference is visible immediately.
Two other features help. The Optimum Image Generating System evaluates each color and selects the optimal ink combination and placement rather than relying on fixed driver tables, which improves per-color accuracy. And the individual CLI-42 tanks mean you replace only the color you actually exhaust, with value packs available for heavy users, which is a small but real cost saving over a combined set.
It is also a complete device: a flatbed scanner with 64-bit color depth, two trays handling up to 150 sheets, 4800 x 2400 dpi with FINE technology, and wireless printing with PictBridge support for camera-to-printer output.
Where the PRO-100 still wins
If your art is predominantly black and white, this is the strongest monochrome option here, and the dedicated grayscale channels are the reason. The scanner makes it useful for digitizing originals you intend to reprint, and the 150-sheet capacity across two trays is generous for a 13×19 machine.
The rating profile explains the rest: 62 percent five-star, 11 percent three-star and a 15 percent one-star share with no two-star reviews at all. Opinion on this oldest design in the lineup is firmly split, with very little middle ground, and the split is largely about age and ink type rather than build quality.
Why most people should skip it
Dye ink fades under light exposure, which rules it out for archival work regardless of how good the grayscale is. The platform is also old, with dated software and no modern app workflow, and duplex is manual only. At 43.4 pounds it is the heaviest machine in the list, and there is no roll-feed option, unlike the Canon PRO-310.
Buy it for monochrome, or buy a pigment machine for permanence. Those are the two honest use cases.
7. HP DesignJet T210 – Best 24-Inch Roll Printer for Large Posters
HP DesignJet T210 Large Format 24-inch Plotter Printer, for Easy CAD & Poster Prints (8AG32D)
- Only machine here for true 24-inch roll media
- Fastest output at 59 A1/D prints per hour
- Automatic horizontal cutter trims finished prints
- HP Click auto-nesting cuts ink and paper waste
- Best rating in the lineup at 4.4 stars
- Four ink colors limit fine art fidelity
- Locked to OEM cartridges with no override
- Heaviest and widest machine at 40 inches
The T210 earns the highest rating in the lineup at 4.4 with a 78 percent five-star share, and it does so by being very good at exactly one thing. It is the only machine here that takes true 24-inch roll media, so it is the answer for banners, large posters, 24×36 work and installation pieces. Output reaches 59 A1/D prints per hour, with up to 45 seconds per A1/D page, and the automatic horizontal cutter trims finished prints without a blade.
Owners in the trades, including residential architects printing plans and a wrestling-tournament poster business, report quick setup, fast output and sharp colorful line quality. HP Click adds PDF error checking, alerts and automatic nesting, which cuts ink and paper waste substantially on multi-page jobs. Setup over Wi-Fi works easily, including when the machine is mounted on a stand you built yourself.
There is engineering thought here that is missing elsewhere. The machine routinely uses 95 percent less ink for maintenance than competing plotters, and 500MB of onboard memory handles multi-size and multi-page jobs without a workstation tethered to it. The optional automatic sheet feeder adds 13×19 sheet support, so it can cover both size classes.
Be aware that owners report the listed depth and height are reversed, which matters if you are building a stand. At 47.4 pounds and 40 inches wide, this is the largest machine in the list and needs a proper stand and working clearance, not a desk.
Where the T210 belongs
Pick it when the print is bigger than 13×19, when you are producing posters for events, or when you need rolls rather than sheets. For architects, builders and small print shops doing a mix of technical drawings and promotional posters, the combination of roll feed, sheet feed, auto-nesting and a cutter makes it genuinely hard to beat on throughput.
HP Smart app support with one-click remote printing and HP/GL-2 handling means you can submit jobs from a phone, which matters when you are on site.
Why it is not an art printer
Four ink colors at 2400 x 1200 dpi is a technical line-work spec, not a fine art spec. Photo and art fidelity trails the eight- and nine-color machines here, and for gradient-heavy illustration the difference is obvious at arm’s length. Buyers also report that the HP 712 cartridges are locked to OEM with no override, which some found hard to source locally, and some found 24-inch roll media resisted loading straight with little online help available.
Connectivity can also be unreliable on weak internet connections. If permanence and color depth matter more than size, spend up on a 13×19 pigment machine instead.
How to Choose a Wide Format Printer for Art Prints
Start with ink chemistry, because it is the only decision you cannot reverse. Pigment ink suspends solid color particles in a liquid carrier that bond to the paper surface, so prints resist water and light fading. Dye ink dissolves color into the liquid, printing more vivid color on day one and losing it within years. Giclée quality printing, in the strict sense, means pigment. If you sell prints, buy pigment. If you make proofs, drafts and personal color work, dye is fine and much cheaper per page.
Second, match the machine to the size you will actually print. If you work at arm’s length, 13×19 is enough. If you work at gallery scale, 24 inches is the entry point. There is no benefit to a 24-inch machine if every print you sell is 13×19, and the savings come back as ink cost and paper cost rather than quality.
Third, look at the paper path rather than the spec sheet. Entry wide format machines often cannot feed thick rag or canvas through the rear tray, which leads to failed prints and wasted expensive paper. The machines here with wider feed paths and manual-feed support for heavy media, like the PIXMA PRO-200S and the imagePROGRAF PRO-310, will save you money the first time you load a heavy canvas.
Fourth, count ink channels against your artwork. Four colors are enough for documents and posters with flat graphics. Eight channels, as in the PIXMA PRO-200S and PRO-100, handle smooth gradients and skin tones. Nine pigment channels plus Chroma Optimizer and Matte Black, as in the PRO-310, handle tonal depth and permanence together. This matters more than raw resolution, which is why a 1200 x 1200 pigment machine often looks better than a 4800 x 2400 dye machine.
Fifth, price the running cost before the machine. Cartridge systems charge multiples of what refillable tanks charge per page, and the ET-8550 and ET-15000 both ship with enough ink to cover thousands of pages. If you are producing editions, ink is your cost of goods, and it belongs in your pricing decision. A pigment machine that prints beautifully but costs too much per sheet will not make money.
Sixth, plan for the border. If you print to the paper edge, your file needs a bleed, and the paper must be a borderless-compatible size. If the machine cannot go borderless at your chosen size, you will be trimming every sheet by hand, which is slow and wasteful. Among the machines here, the WF-7710 and both Canons handle borderless output at 13×19.
Seventh, get your color management right before you judge any printer. Calibrate your monitor, print a soft proof through the printer’s own profile, and match the paper profile to the exact stock in the tray. Choosing between a display and a print shop starts long before the printer, and a wide format purchase will not fix a color workflow that was never set up. If you are building out a physical workspace around your printing, our guide to easels for art covers the display side.
Finally, measure the machine. The Canon PIXMA PRO-100 at 43.4 pounds and the HP DesignJet T210 at 40 inches wide both change the furniture in the room. Larger print setups often pair with a dedicated table, and if you also shoot your own source material, our medium format camera picks cover the capture end. If you work with airbrush or custom painting rather than digital files, airbrush compressors for art is the adjacent decision.
Frequently Asked Questions
What is the best printer for making art prints?
The Epson EcoTank Photo ET-8550 is the best all-round choice for most artists, because it prints 13×19 borderless sheets on refillable dye tanks at a very low cost per print and includes a flatbed scanner. If your prints are going on a wall for years, choose the Canon imagePROGRAF PRO-310 instead, since its nine-color pigment system with Chroma Optimizer and Matte Black resists fading.
Are there wide format laser printers?
There is no true wide format laser printer built for art prints. Large-format laser and LED machines exist for office documents, but they use four dry toner colors with no pigment ink, cannot print borderless, and cannot handle rag paper or canvas. For pigment fine art output, an inkjet is the only realistic technology.
What printer can print 13×19 paper?
Five of the machines here reach 13×19 as a listed maximum media size: the Epson EcoTank Photo ET-8550, the Epson Workforce WF-7710, the Canon PIXMA PRO-200S, the Canon imagePROGRAF PRO-310 and the Canon PIXMA PRO-100. The Epson EcoTank ET-15000 lists 11×17 as its maximum, and the HP DesignJet T210 handles 13×19 sheets through an optional feeder alongside 24-inch roll media.
Which EcoTank prints 13×19?
The Epson EcoTank Photo ET-8550 lists 13×19 as its maximum media size and is the model to buy for 13×19 art. The Epson EcoTank ET-15000 lists 11×17 as its maximum, though owners confirm it accepts 13×19 sheets when the correct paper size is selected, using the rear paper holder rather than a dedicated tray.
What HP printer prints 13×19?
The HP DesignJet T210 in this list supports 13×19 sheets through the optional automatic sheet feeder, and it also takes 24-inch roll media. It is a four-color machine rated at 2400 x 1200 dpi, so it suits posters, line drawings and promotional work rather than gradient-heavy fine art prints.
Are giclee prints considered fine art?
A giclee print is a high quality inkjet print, usually made with pigment-based ink. It is widely accepted as fine art, which is why pigment systems such as the Canon imagePROGRAF LUCIA PRO II line are the standard for limited editions. A dye ink print is technically an inkjet print but is generally not considered archival fine art because it fades under light.
Final Verdict: Which Wide Format Printer for Art Prints Is Right for You
Our pick for the best wide format printers for art prints in 2026 is the Epson EcoTank Photo ET-8550. It prints 13×19 borderless, runs on refillable tanks that keep cost per print low, includes a flatbed scanner, and has more than 2,600 reviews behind it. Buy the Canon imagePROGRAF PRO-310 instead if permanence is the deciding factor for your work. Choose the Epson EcoTank ET-15000 for studio plus office volume, the Canon PIXMA PRO-200S for eight-ink gradient work, the Canon PIXMA PRO-100 for monochrome, the Epson Workforce WF-7710 for print-scan-copy-fax in one body, and the HP DesignJet T210 when you need 24-inch roll output.
If you are still torn, print one sheet on two candidates before you commit. Paper and profile will teach you more in an hour than any spec sheet.